How do you like those photographs?
Trick question. These are all oil-paintings on canvas. Pedro Campos has redefined what I think is possible in photorealistic painting. Unbelievable.
(via brandsixtysix)
Stunning fruit and vegetable oil paintings by Dennis Wojtkiewicz.
- Source: cuded.com
Eda Akaltun created these alternate cover illustrations for the BAFTA Awards program featuring each of the five Best Film nominations (THE ARTIST, THE DESCENDANTS, DRIVE, THE HELP, and TINKER TAILOR SOLDIER SPY).
- Source: creativereview.co.uk
These are three of the original Polish posters for ALIEN and ALIENS. I believe all three were designed by legendary Polish poster designer Witold Dybowski.
If this is your introduction to the amazing world of Polish film posters, you are in for a world of delight. The Polish film industry has a history of utilizing creative artistic posters long after most of the world moved to photographs of movie stars. But even if you’re already familiar with the wonders of Polish film posters, I hope I’ve uncovered some hidden gems in this post that can further your appreciation of the subject.
I’m not an expert on the subject, so I don’t want to fill your head with misinformation or my own amateur interpretation, but here is my basic understanding of how Polish film posters became so awesome. In essence, there was a single film distribution entity in Poland from the mid 1940s until 1990. Film Polski was the state run film monopoly, and all non-Polish films were released through this entity. The lack of competition and unorthodox approach to commercialism certainly provided an environment where poster artists were able to flourish, but I like to think the high quality of Polish advertising was mostly driven by people and a culture that wanted to embrace great art. The focus was on making stunning images that could stand on their own, not just a sales tool to promote the stars of a film. You can see incredible artistry in Polish design across almost all forms of print advertising including opera, theater, film, concerts, and even normal product billboards.
The Kemistry Gallery in London will be having an exhibit entitled “Mr T: The Posters of Jerzy Treutler” from February 2nd to March 17th. Jerzy Treutler designed Polish film posters through a big part of the 20th century, and has this to say about his work on Polish film posters:
The Polish School of Posters can be best described as being bold and colourful with painterly orientation and one I embraced as a graphic artist with all my heart, it was an exciting and creative time for me.
Some of my favorite Polish film posters…
AIRPLANE (1984) designed by Witold Dybowski
BACK TO THE FUTURE (1986) designed by Mieczyslaw Wasilewski
DANTON (1993) by designed by Wieslaw Walkuski
JAWS (1977) designed by Andrzej Dudzinski
JAWS 2 (1980) designed by Edward Lutczyn
ROCKY (1978) designed by Edward Lutczyn
ROSEMARY’S BABY (1984) designed by Wieslaw Walkuski
STORMING MONDAY (1988) designed by Wieslaw Walkuski
THE GRADUATE (1973) designed by Maciej Zbikowski
THE OMEN (1977) designed by Andrzej Klimowski
UN CHIEN ANDALOU (1996) designed by Wieslaw Walkuski
To explore more of the world of Polish film posters, I suggest the following links:
- The Polish Film Poster Database
- 50 Incredible Film Posters From Poland at Well Medicated
- Modern Polish Film Posters by Polish design firm Homework
- The Polish Poster Gallery
- a Grayspace Poster Gallery (also features some non-Polish posters)
- Polish Posters at Krul Antiquarian Books
- My favorite Polish poster artist, Wieslaw Walkuski, has an official website with a gallery featuring some of Walkuski’s incredible poster work.
- You can also buy Polish posters from polishposter.com (I have no information on how reliable this company is, so please let me know if you have had experience with them.)
UX’s most sensational caper (to be revealed so far, at least) was completed in 2006. A cadre spent months infiltrating the Pantheon, the grand structure in Paris that houses the remains of France’s most cherished citizens. Eight restorers built their own secret workshop in a storeroom, which they wired for electricity and Internet access and outfitted with armchairs, tools, a fridge, and a hot plate. During the course of a year, they painstakingly restored the Pantheon’s 19th- century clock, which had not chimed since the 1960s. Those in the neighborhood must have been shocked to hear the clock sound for the first time in decades: the hour, the half hour, the quarter hour.
UX (“Urban eXperiment”) is an artist collective that have been surreptitiously infiltrating, restoring, and maintaining abandoned cultural works in Paris for decades. I highly recommend reading this Wired article about UX.
Comic artist Jamie Smart had his original art stolen for a company’s logo. He created this amusing comic strip to share the experience with us.
Moral: Only Bastards Steal Art
dcu:
Comics Alliance points us to these awesome Dr. Seuss/Batman mash ups by DeviantArt user DrFaustusAU.
(via kandidkandor)
- Reblogged from dcu
- Source: comicsalliance.com
Robert Brandenburg is having a solo show at Gallery1988 Melrose starting this Saturday January 7th. Brandenburg describes his work as “hijacked art.” He finds pre-existing artwork and alters it, usually adding sly pop-culture references that recontextualize the original piece.
Biggest regret of not attending Sundance this year? Not being able to see the Banksy film. Even if it’s terrible, it’s still awesome that there’s a film by Banksy. This picture is one of the street art pieces he’s done in Utah for this year’s festival.
(via Ambee Star)
- Source: Flickr / ambeestar
High-res
Stunning poster by Martin Ansin for a gallery group show featuring art inspired by the films of Stanley Kubrick.
- Source: behance.net
